Directed by
Kelly
Reichardt (2010)
As Meek’s
Cutoff is about to start the screen scrunches to 4:3, just like my telly
does when I watch repeats of Dad’s Army. This is shocking.
Bewildering. A film about three settler families lost in the deserts of
Oregon is surely made for widescreen. We need to gaze awestruck across
those open vistas, to explore the limitless landscape.
Instead we
peer through the unfamiliar square frame at a bunch of people cramped
together under the big sky. Rudely woken from their American dream their
great adventure becomes a grim scratching for survival.
It’s all
Meek’s fault. The grizzled old pioneer is supposed to be their guide
to some lush promised valley in the mountains but he obviously hasn’t
a clue where he’s going. And the water is running out.
They are not
quite alone. There’s an indian lurking. Just the one. Perhaps he’s
the last of his tribe. Meek (Bruce Greenwood), incorrigible racist that
he is, warns them the redskin will rip the flesh from their bones at the
first opportunity. But by now the settlers have more faith in the native
(Rod Rondeaux) than they have in Meek and believe he can lead them to
water.
So they
capture him and he becomes their guide. Emily Tetherow (Michelle
Williams) finds an affinity with him. It’s not just compassion. She
seems to know something the others don’t.
A strange
inversion takes place as the white folk invest their future, their
lives, in the red man. Their sense of purpose unravels and is wound up
again in the indian’s mysterious world. He talks an unfathomable
language, and he converses with the sky, the moon. He is a part of
nature.
The settlers
are trapped by the country they are supposed to conquer, mired in their
inland empire. Cut off.
Meek’s
Cutoff is no facile allegory. It’s too good for that. But you have to
think of the fate of recent imperialist projects. As in Mohsen
Makhmalbaf’s Kandahar the journey has no end. The destination, the
quest, intention itself, evaporates.
Oddly enough,
there is also something about Meek’s Cutoff that reminds you of that
imperialist fable Ice Cold in Alex. Without the pub. Which makes it all
the more chilling.
May 18, 2011
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