Directed by
John Hillcoat (2012)
In Prohibition
America the Blue Ridge mountains of Virginia were lit up like a
Christmas tree by the fires of illicit stills. Franklin County, in the
foothills, became known as the Moonshine Capital of the World, and
that’s where Lawless is set.
Prohibition,
if no good for anything else, has been great for gangster movies, but
Lawless is different, focusing as it does on a less glamorous, if no
less violent, side of the bootleg liquor industry.
The Franklin
County drinks industry forms a kind of black economy within a black
economy. Potential profits for the city gangsters, not to mention the
corrupt cops, are leaking away here, particularly into the pockets of
the Bondurant brothers, Forrest, Howard and Jack.
A crackdown
comes in the shape of Charlie Rakes (Guy Pearce), a sinister and
sadistic special deputy whose idea of enforcing alcohol prohibition is
to demand protection money from the moonshiners under the threat of
extreme violence.
This works
fine until Rakes meets the resistance of the Bondurants whose business
has flourished thanks to the higher quality liquor produced by their
talented disabled head distiller Cricket Pate (Dane DeHaan) and the
patronage of big-time bootlegger Floyd Banner (Gary Oldman).
Elder brother
Forrest (Tom Hardy) who seems to believe his indestructible reputation,
middle brother Howard (Jason Clarke), the muscle, and little brother
Jack (Shia LaBeouf), seizing all the rites of passage he can get his
hands on, are formidable adversaries. Many bloody shootings, beatings-up
and terror tactics ensue. Cricket’s spirit proves an ideal
preservative for loose body-parts posted as warnings.
All this,
along with some unconvincing love-interest, is the main burden of
Lawless, which has been criticised for its macho swaggering. But it
does, at least, provide the protagonists with a pretext that has
political implications, even if those implications are glossed over in
all the action and adventure.
Forrest says
he has to “control the fear”. Lose that, and he’s as good as dead.
This is the ruling logic of prohibition, of the unregulated market that
inevitably results. Outlaw alcohol and you kick open the door to
corruption, you allow the brutal law of fear to reign. And the same goes
for the drugs that remain prohibited today.
September 17,
2012
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