Directed by
Andrea Arnold (2009)
Andrea
Arnold’s debut Red Road took her straight to the forefront of the
latest wave of British film-making and her follow-up keeps her right
there.
Mia (Katie
Jarvis) is a 15-year-old hard-drinking, break-dancing, fighting girl
destined for the pupil referral unit. She lives on an East London
housing estate (in my old manor) with her rather harsh mum (Kierston
Wareing), her sharp little sister (Charlotte Collins) and a dog called
Tennents.
They are
frequently joined by mum’s too-good-to-be-true boyfriend Connor
(Michael Fassbender) who has got a proper job and everything and catches
fish with his bare hands, tossing it onto the ground where it gapes and
writhes through the last of its life.
“Is it
dying?”
“No, it’s
dancing.”
The world of
Fish Tank is cramped and confined, physically and emotionally. Arnold
matches the boxy flat where they live with a squarish screen like an
old-fashioned telly. The family communicate in high volume abuse. When
someone says "I hate you" they really mean "I love
you".
But they are
also able to communicate through through the medium of dance, and Mia
sees her dancing as a way to escape to a better life. But this is not
Billy Elliott. Fish Tank isn't so much about getting away as getting
away with it. Arnold never lets her characters, nor her audience, off
the hook.
Yet Mia
thrashes at the prison of poverty, she makes the best of whatever she
can get and she comes through with dignity. Not dying but dancing.
September 2009
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